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Sharing the foundations of interstitial creation within a critical, artistic, and theoretical framework of reference, in order to open a space for reflection on forms of art that exist outside normative and productive systems. This publication is part of the ambition of ce-ci to contribute to the transformation of the art world.<\/p>\n
Context<\/span> Intention<\/span> Format<\/span> Means activated<\/span> Partners<\/span> [\/et_pb_text][et_pb_button button_url=\u00a0\u00bbhttps:\/\/www.revuedeparis.fr\/la-creation-interstitielle\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb button_text=\u00a0\u00bbLire l’article\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/ce-ci.fr\/wp-content\/uploads\/2025\/05\/john-cage.jpg\u00a0\u00bb title_text=\u00a0\u00bbjohn cage\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb||0px||false|false\u00a0\u00bb filter_saturate=\u00a0\u00bb0%\u00a0\u00bb filter_contrast=\u00a0\u00bb132%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#6B6B6B\u00a0\u00bb text_font_size=\u00a0\u00bb14px\u00a0\u00bb custom_margin=\u00a0\u00bb|211px||||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ text_font_size_tablet=\u00a0\u00bb14px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb13px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/ce-ci.fr\/wp-content\/uploads\/2025\/05\/duncan.jpg\u00a0\u00bb title_text=\u00a0\u00bbduncan\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb||0px||false|false\u00a0\u00bb filter_saturate=\u00a0\u00bb0%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#6B6B6B\u00a0\u00bb text_font_size=\u00a0\u00bb14px\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb14px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb13px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Isadora Duncan\u2019s work, by breaking the codes of classical dance, embodies an interstice between form and intuition. Photo credit: Arnold Genthe, 1915.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" Partager les fondements de la cr\u00e9ation interstitielle dans un cadre critique, artistique et th\u00e9orique de r\u00e9f\u00e9rence, afin d\u2019ouvrir un espace de r\u00e9flexion sur des formes d\u2019art en dehors des r\u00e9gimes normatifs et productifs. Ce partage s’inscrit dans l’ambition de ce-ci de transformer le monde de l’art. ContexteLa Revue de Paris, revue d\u2019art fond\u00e9e en 1829, […]<\/p>","protected":false},"author":2,"featured_media":418,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","content-type":"","footnotes":""},"categories":[21],"tags":[],"class_list":["post-1099","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-recherche-enseignement"],"yoast_head":"\n
La Revue de Paris, an art magazine founded in 1829, was relaunched in 2020 in a contemporary form exploring the transformation of art and its possible futures.\nAs part of this, a seminal article on interstitial creation was published on 27 May 2025 (Issue number 60), through an in-depth conversation with Charlotte Hochman, interstitial artist and founder of the centre for interstitial creation.<\/p>\n
\nTo bring into a space of critical recognition the intuitions, tensions and methods of interstitial creation.\nTo affirm an artistic stance that does not seek to capture reality but to resonate with it through withdrawal, porosity and the radical reinvention of forms.<\/p>\n
Article published in La Revue de Paris
\nConversation in dialogued format
\nTheoretical text grounded in an artistic approach<\/p>\n
\nWriting, critical transmission, articulation between research and practice, publication in an independent art journal.
\nBuilding new linguistic tools for an artistic approach to the in-between.<\/p>\n
La Revue de Paris
La Biennale de Paris
ENDA (\u00c9cole Nationale d’Art de Paris)<\/p>\n