Sharing the foundations of interstitial creation within a critical, artistic, and theoretical framework of reference, in order to open a space for reflection on forms of art that exist outside normative and productive systems. This publication is part of the ambition of ce-ci to contribute to the transformation of the art world.
Context
La Revue de Paris, an art magazine founded in 1829, was relaunched in 2020 in a contemporary form exploring the transformation of art and its possible futures.
As part of this, a seminal article on interstitial creation was published on 27 May 2025 (Issue number 60), through an in-depth conversation with Charlotte Hochman, interstitial artist and founder of the centre for interstitial creation.
Intention
To bring into a space of critical recognition the intuitions, tensions and methods of interstitial creation.
To affirm an artistic stance that does not seek to capture reality but to resonate with it through withdrawal, porosity and the radical reinvention of forms.
Format
Article published in La Revue de Paris
Conversation in dialogued format
Theoretical text grounded in an artistic approach
Means activated
Writing, critical transmission, articulation between research and practice, publication in an independent art journal.
Building new linguistic tools for an artistic approach to the in-between.
Partners
La Revue de Paris
La Biennale de Paris
ENDA (École Nationale d’Art de Paris)
Isadora Duncan’s work, by breaking the codes of classical dance, embodies an interstice between form and intuition. Photo credit: Arnold Genthe, 1915.